Our Work
Film
Alcon / Sony Pictures
Blade Runner 2049: Art Department
Framestore's Art Department produced stunning concept art for director Denis Villeneuve.
Film
20th Century Studios
Kingsman: The Golden Circle
With a total of 438 shots across a varied 16 sequences bringing outlandish action and intrigue to the spy flick.
Film
20th Century Studios
Alien: Covenant
Framestore once again voyaged into space to team up with Ridley Scott on Alien: Covenant.
Film
Marvel Studios / Sony Pictures
Spider-Man: Homecoming
For this coming-of-age story for the timeless hero, the team created the Washington Monument sequence.
Film
Paramount Pictures
Transformers: The Last Knight
From attack drones to autonomous bipedal mechs, the team handled a range of characters and environments.
Film
Universal
The Mummy: Art Department
Framestore's Art Department was a proud participant in the concept stages of the action-packed The Mummy.
Film
Netflix
Okja
The team created the 12’ long, 8’ tall pig-like creature weighing in at 12,000 lbs entirely in CG.
Film
Warner Bros.
King Arthur: Legend of the Sword
Framestore was pleased to join the voyage to Medieval England for King Arthur: Legend of the Sword.
Film
Marvel Studios
Guardians of the Galaxy Vol. 2
James Gunn's unlikely heroes return for Vol.2, in an adventure even more action-packed than the last.
Film
Paramount Pictures
Ghost in the Shell
Framestore worked on a complicated sequence of the film which takes place underwater.
Film
Walt Disney Studios
Beauty And The Beast
A live-action adaptation of Disney's ‘tale as old as time’, directed by Bill Condon.
Film
Walt Disney Studios
Beauty and the Beast: Art Department
Framestore's Art Department lent their talents to bring Belle's magical world to life.
Film
Warner Bros.
Kong Skull Island: Art Department
When we were asked to create a creature for Kong: Skull Island, the brief was wide open.
Film
Warner Bros. / Heyday Films
Harry Potter and the Deathly Hallows: Part 2
The Harry Potter finale saw Framestore once more face new VFX challenges, providing a brace of sequences.
Film
Paramount Pictures
Allied
This WWII story of two assassins who fall in love is deliberately paced with 776 of its shots containing VFX.