person crouched down in desert terrain

The Receipt

Walmart challenged Hollywood directors Antoine Fuqua, Marc Forster and filmmaking partners Seth Rogen & Evan Goldberg to each make a one-minute film based on the six items of a single Walmart receipt. Framestore partnered with Marc Forster to deliver his film 'Lost & Found' within 'The Receipt' campaign.  

back view of person behind of a dead tree wrapped in receipts

As usual, Framestore was not just your usual VFX house: they are essentially creative partners, going beyond what one expects as a director. Right after I conceived the idea I included them in all phases of pre-production until final delivery.
Marc Forster
Director

Production

The inspiration for this film was a Walmart receipt listing bananas, a scooter, paper towels, wrapping paper, a video baby monitor and batteries. Shot on location at the Salton Sea in California, Framestore enhanced this beautifully filmed, post-apocalyptic world with sky replacements, CG robots, matte painting extensions and other composited elements, all within a short turnaround of less than two weeks. 

person standing in the centre of a beach looking out on to sea that has a broken and abandoned amusement ride
person crouched down in desert terrain

Concept Art

Having been involved in pre-production, Framestore had roughly sketched layouts for every shot and styleframes based on images from the tech scout. With a clear vision from Marc Forster, the design and concept artists were able to rapidly iterate robot designs to establish what would work within the shots. The concepts were in a more painterly fashion than photoreal, which also aided the process. It was important to create a dystopian feel that was almost romantic, as opposed to full of despair; to soften the overall look Framestore's artists painted on childlike faces and illustrations over the robot bodies, providing an opportunity for some subtle storytelling that hopefully leaves the audience with a few questions.

person standing with their back against in a circular space amongst broken and abandoned amusement rides and attractions in a desert terrain

Behind The Scenes

back perspective of a behind the scenes shot of a cameraman holding a camera as a director is directing an actor

What we like best is Marc's collaborative approach. VFX is not just an afterthought, it is part of his workflow, without ever making it a gimmick, substituting or compromising well-crafted, solid filmmaking.
Michael Ralla
VFX Supervisor
person standing in shade under a concrete bridge surrounded by broken and abandoned amusement attractions
person running through a desert surrounded by broken and abandoned amusement rides and attractions
There is mutual trust with Marc, and we can send ideas and concepts any time for immediate feedback—which is the best way to give him all he wants: beautiful images telling a powerful story.
Michael Ralla
VFX Supervisor
safehouse made out of scraps and broken objects set under a twinkling night sky

Through Michael I had immediate communication and direct access to the VFX team. They developed their shots extremely efficiently, shared the work immediately and in doing so, surpassed all my expectations of what was possible within such a short time.
Marc Forster
Director

Credits

Ad Agency
Saatchi & Saatchi NY
Production Company
Tool of North America
Producer
Morgan MacCuish
Managing Director
James Razzall
VFX Supervisor
Michael Ralla
CG Lead
Todd Herman
Concept Art Support
Gary Haimeng
Compositing
Peter Timberlake
Compositing
Alex Villabon
Compositing
Jon Howard
Compositing
Sven Dreesbach
Coordinator
Jamie Runkle
Concept Art
Christian Kesler
VFX Editor
Greg Dely
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