Our Work
Film
Walt Disney Studios
Beauty And The Beast
A live-action adaptation of Disney's ‘tale as old as time’, directed by Bill Condon.
Film
Walt Disney Studios
Beauty and the Beast: Art Department
Framestore's Art Department lent their talents to bring Belle's magical world to life.
Film
Warner Bros.
Kong Skull Island: Art Department
When we were asked to create a creature for Kong: Skull Island, the brief was wide open.
Advertising
ASDA
#GiantHen
Framestore present one incredible chocolate hen as part of ASDA’s 2016 Easter eggstravaganza.
Advertising
Sport England
This Girl Can
#ThisGirlCan returned for 2017, energising the nation with a high-intensity second round campaign.
Film
Warner Bros. / Heyday Films
Harry Potter and the Deathly Hallows: Part 2
The Harry Potter finale saw Framestore once more face new VFX challenges, providing a brace of sequences.
Advertising
Lactaid
The Milk That Doesn’t Mess With You
Framestore Character Development and Animation collaborated with BBDO New York and Eric Kissack.
Advertising
Axe
The Chain
Framestore worked on extensive visual effects for Axe TV campaign ‘The Chain’.
Advertising
Coca-Cola
Siege
Framestore created an entirely CG 60-second film, Siege, for Coca-Cola's 2011 Super Bowl outing.
Advertising
Lipton
Be More Tea
Lipton's 2014 Muppet commercial by adam&eveDDB and Noam Murro sees Kermit meeting Miss Piggy.
Advertising
Galaxy / Dove
Chauffeur
Framestore used pioneering VFX techniques to bring actress Audrey Hepburn™ back to the screen.
Advertising
EON Productions
Spectre
The 2015 release of Spectre marked another winning collaboration between Framestore and Daniel Kleinman.
Episodic
National Geographic / RadicalMedia
MARS Season 1
Framestore pioneered a new path in TV production for National Geographic 6-part global event series MARS.
Episodic
National Geographic / RadicalMedia
MARS Season 1 Title Sequence
Framestore worked on the groundbreaking six-part global event series MARS.
Film
Paramount Pictures
Allied
This WWII story of two assassins who fall in love is deliberately paced with 776 of its shots containing VFX.