Our Work
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Coca-Cola
Siege
Framestore created an entirely CG 60-second film, Siege, for Coca-Cola's 2011 Super Bowl outing.
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Lipton
Be More Tea
Lipton's 2014 Muppet commercial by adam&eveDDB and Noam Murro sees Kermit meeting Miss Piggy.
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Galaxy / Dove
Chauffeur
Framestore used pioneering VFX techniques to bring actress Audrey Hepburn™ back to the screen.
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EON Productions
Spectre
The 2015 release of Spectre marked another winning collaboration between Framestore and Daniel Kleinman.
Episodic
National Geographic / RadicalMedia
MARS Season 1
Framestore pioneered a new path in TV production for National Geographic 6-part global event series MARS.
Episodic
National Geographic / RadicalMedia
MARS Season 1 Title Sequence
Framestore worked on the groundbreaking six-part global event series MARS.
Film
Paramount Pictures
Allied
This WWII story of two assassins who fall in love is deliberately paced with 776 of its shots containing VFX.
Film
Warner Bros.
Fantastic Beasts and Where to Find Them
Christian Manz took the reins as overall VFX Supervisor on this much-anticipated feature.
Film
Warner Bros.
Fantastic Beasts: Art Department
Framestore's Art Department collaborated with renowned production designer, Stuart Craig.
Film
Marvel Studios
Doctor Strange
Doctor Strange is a master of the mystic arts, armed with magical objects and a cloak with a mind of its own.
Immersive
Morgan Stanley
Morgan Stanley Digital Signage
Framestore Labs created large-scale outdoor displays at Morgan Stanley's headquarters.
Film
21 Laps Entertainment, FilmNation Entertainment, Lava Bear Films
Arrival
Denis Villeneuve tasked Framestore’s Montréal studio with reinventing the grand finale of sci-fi film Arrival.
Film
Warner Bros.
The Legend of Tarzan
The Legend of Tarzan is the visually stunning feature film based on Edgar Rice Burroughs’ 1912 novel.
Film
Lionsgate / Summit Entertainment
Now You See Me 2
In 2015 the team was presented with a challenge by Director Jon M. Chu, to create the extravagant illusions.
Episodic
HBO
Game of Thrones Season 6
Recognized with the VFX Emmy Award for work on this episode, the team used a mix of VFX and animation techniques.