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This hybrid animated feature brings Bikini Bottom’s most famous resident to the screen in stereoscopic 3D.

Framestore delivered over 500 shots for the film with the movie’s melting pot of aesthetic styles.

The Art Department provided inspiration for characters, and the intricate environments used in the final film.

Framestore created ambitious environments and effects for this unusual vampire story.

Involved from an early stage, the artists conceptualised the environments, characters and huge space vistas.

Guardians of the Galaxy takes us into deep space with the universe’s most unlikely bunch of heroes.

A time loop forces an Army major to live, die and repeat their struggle against the formidable Mimics.

Super fast, almost indescribable creatures with a tangle of tentacle-covered retractable limbs.

Framestore ont produit plus de 760 plans finaux pour Paddington, dont 570 mettaient en scène cet ours amoureux de marmelade.

Framestore delivered a full range of photo-real visual effects for José Padilha’s RoboCop reboot.

47 Ronin has it all when it comes to visual effects.

To create such fantasy on a massive scale, Director Alan Taylor turned to the Framestore Art Department.

Le film a remporté plusieurs prix, dont sept oscars au total, et Framestore a collecté les trois prix les plus renommés en effets visuels pour son travail sur le film : l’oscar, le prix BAFTA et le prix VES.

World War Z brought a new kind of zombie from the depths of Framestore's Art Department.

Framestore's Art Department was involved from the conceptual stages.