A floating island with people on it surrounded by clouds. On the left there is the roof of a holiday resort.

Ride of Your Life

Part dream sequence, part fantastic voyage, Expedia’s ‘Ride of Your Life’ anthem spot sees one exotic scenario unfold into another, creating a seamless universe of post-pandemic possibilities. 

Concept Design
Animation
Environments
Effects Simulation
Visual Effects Supervisor
Digital Humans
animated view of land and sea covered in clouds with landmarks peaking in between. there is a mountain with a waterfall on the left bottom corner. to the left in the distance there are pyramids, cityscapes and mountains. in the bottom centre there is a piece of land floating above the cloud with people gathered around sitting. there are hot air balloons and an aeroplane above. there is a skyscraper in the bottom right corner that has palm trees surrounding a swimming pool on the rooftop

While the original concept included a series of commercials focusing on unique destinations, director Henry Scholfield’s vision to create a fantastical dreamscape with unrelenting momentum saw the final outcome become one all-encompassing anthem commercial. Working alongside creative agency Team One and Scholfield, the Framestore team helped bring to life the four distinct themes an effort to ignite excitement in travelers who will soon be able to realize their dreams of adventuring far and wide once again.

Shot in Barcelona with a local team, and Framestore supervision based remotely in Los Angeles, this campaign marked the second time the team worked together for the brand in 2021. 

Framestore was responsible for a variety of VFX elements, from the composting of the many seamless transitions, scale gags and enhanced environments using Flame and Nuke, in addition to extensive digital matte painting to fully create exotic and impossible locations, from Tibet to a miniature Earth. Maya was utilized for all 3D work, including set extensions and underwater scenes, as well as Houdini for the FX of giant exploding flower balls, parachutes, clouds, water and other ephemera.

a person underwater surrounded by jellyfish and coral
animated view of land and sea covered in clouds with landmarks peaking in between. there is a mountain with a waterfall on the left bottom corner. to the left in the distance there are pyramids, cityscapes and mountains. in the bottom centre there is a piece of land floating above the cloud with people gathered around sitting. there are hot air balloons and an aeroplane above. there is a skyscraper in the bottom right corner that has palm trees surrounding a swimming pool on the rooftop

“It is always a great opportunity to work on a campaign like this. With the constantly changing, trippy visuals and optical illusions it really lets us throw everything in our kit bag at it to realize Henry’s insane vision. It’s always a rush for me to go from exchanging rough sketches with the director to refining the resulting full-blown CG environments. As always, Team One were fantastic partners, that really gave the Framestore team the latitude to bring more and more into the frame,” said Framestore VFX Supervisor James Rogers.

it is dusk. a person is flying down with a parachute amongst forest trees
a person standing in the centre of a flower field in front of a sunset. there are mountains and houses on each side

Credits

Agency
Team One
Director
Henry Scholfield
Production
Reset
VFX
Framestore
Creative Director
James Rogers
On-Set Supervisors
Eric Rosenfeld, Rob Kolbeins
Senior Producer
Scott Tinter
Producer
Katie Buckley
Production Coordinators
Christian Williams, Diego Bonora
CG Supervisor
Brian Creasy
2D Supervisor, Flame Lead
Carlos Adarraga Gomez
2D Team
JD Yepes, Steve Cho, Minsang Lee, Abhishek Singh, Alex Ling, Elaina Brillantes, Gil Milstein, Jasen Aziz, MacKenzie Parker, Ryan Ninko
3D Team
Chris Mayne, CK Lu, Cosku Ozdemir, Edwin Schaap, James Reynolds, Jeremy Livingston, Jonah Hall, Justin Murphy, Kaho Horiuchi, Kevin Baker
3D Team
Luis Sanchez, Marco Amador, Marco Marenghi, Meghan Pangiochi, Sam Crees, Sean Dollins, Soren Barton, Taylor Hodgson-Scott, Todd Herman
Digital Matte Painting Artists
Steven Messing, Taku Rogers, Roger Kupelian
VFX Editor
Stephen Cheatum
Graphic Designer
Will Golladay
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